﻿<?xml version="1.0" encoding="utf-8" standalone="yes"?>
<album>
  <review />
  <outline />
  <lockdata>false</lockdata>
  <dateadded>2025-10-04 00:31:08</dateadded>
  <title>U.S. Marshals</title>
  <year>1998</year>
  <premiered>1998-03-10</premiered>
  <releasedate>1998-03-10</releasedate>
  <runtime>74</runtime>
  <genre>Classical</genre>
  <studio />
  <musicbrainzalbumid>c06b5027-0c56-47d4-ab85-a7715f557776</musicbrainzalbumid>
  <musicbrainzalbumartistid>db403e3d-4753-45d6-8fcb-94db03e882e1</musicbrainzalbumartistid>
  <musicbrainzreleasegroupid>30cc9c04-770b-307c-a731-d0ca5e080bdd</musicbrainzreleasegroupid>
  <art>
    <poster>/media/data/media2/Music/Jerry Goldsmith/U.S. Marshals (1998)/folder.jpg</poster>
  </art>
  <artist>Jerry Goldsmith</artist>
  <albumartist>Jerry Goldsmith</albumartist>
  <track>
    <disc>1</disc>
    <position>1</position>
    <title>Nuggets and Bullets</title>
    <duration>01:50</duration>
  </track>
  <track>
    <disc>1</disc>
    <position>1</position>
    <title>The Set Down</title>
    <duration>01:29</duration>
  </track>
  <track>
    <disc>1</disc>
    <position>2</position>
    <title>Sinking Plane</title>
    <duration>04:23</duration>
  </track>
  <track>
    <disc>1</disc>
    <position>3</position>
    <title>Heading for the Swamp</title>
    <duration>02:25</duration>
  </track>
  <track>
    <disc>1</disc>
    <position>3</position>
    <title>Prison Plane</title>
    <duration>00:52</duration>
  </track>
  <track>
    <disc>1</disc>
    <position>4</position>
    <title>Broken Glasses</title>
    <duration>00:44</duration>
  </track>
  <track>
    <disc>1</disc>
    <position>4</position>
    <title>Swamp Search</title>
    <duration>06:05</duration>
  </track>
  <track>
    <disc>1</disc>
    <position>5</position>
    <title>Zip Gun</title>
    <duration>01:49</duration>
  </track>
  <track>
    <disc>1</disc>
    <position>6</position>
    <title>Airport Locker</title>
    <duration>01:57</duration>
  </track>
  <track>
    <disc>1</disc>
    <position>6</position>
    <title>Almost Down</title>
    <duration>01:23</duration>
  </track>
  <track>
    <disc>1</disc>
    <position>7</position>
    <title>Following Chen</title>
    <duration>05:58</duration>
  </track>
  <track>
    <disc>1</disc>
    <position>8</position>
    <title>Consider Him Dangerous</title>
    <duration>00:53</duration>
  </track>
  <track>
    <disc>1</disc>
    <position>8</position>
    <title>The Front Gate</title>
    <duration>02:28</duration>
  </track>
  <track>
    <disc>1</disc>
    <position>9</position>
    <title>At Knife Point</title>
    <duration>00:13</duration>
  </track>
  <track>
    <disc>1</disc>
    <position>9</position>
    <title>Free to Go</title>
    <duration>02:40</duration>
  </track>
  <track>
    <disc>1</disc>
    <position>10</position>
    <title>The Pen</title>
    <duration>01:29</duration>
  </track>
  <track>
    <disc>1</disc>
    <position>13</position>
    <title>Listen To Me</title>
    <duration>01:24</duration>
  </track>
  <track>
    <disc>1</disc>
    <position>14</position>
    <title>The Humidor</title>
    <duration>00:33</duration>
  </track>
  <track>
    <disc>1</disc>
    <position>15</position>
    <title>Take It All</title>
    <duration>01:30</duration>
  </track>
  <track>
    <disc>1</disc>
    <position>16</position>
    <title>Gym Of The Living Dead</title>
    <duration>00:42</duration>
  </track>
  <track>
    <disc>1</disc>
    <position>17</position>
    <title>Dead In The Shower</title>
    <duration>01:39</duration>
  </track>
  <track>
    <disc>1</disc>
    <position>18</position>
    <title>Eyes On The City</title>
    <duration>04:52</duration>
  </track>
  <track>
    <disc>1</disc>
    <position>19</position>
    <title>Got You</title>
    <duration>00:30</duration>
  </track>
  <track>
    <disc>1</disc>
    <position>21</position>
    <title>The Consulate</title>
    <duration>00:59</duration>
  </track>
  <track>
    <disc>1</disc>
    <position>23</position>
    <title>Cemetery Watch</title>
    <duration>01:24</duration>
  </track>
  <track>
    <disc>1</disc>
    <position>24</position>
    <title>Across The Cemetery</title>
    <duration>01:09</duration>
  </track>
  <track>
    <disc>1</disc>
    <position>25</position>
    <title>Funeral Ambush</title>
    <duration>02:01</duration>
  </track>
  <track>
    <disc>1</disc>
    <position>27</position>
    <title>Up The Stairs</title>
    <duration>02:13</duration>
  </track>
  <track>
    <disc>1</disc>
    <position>28</position>
    <title>Into The Building</title>
    <duration>01:07</duration>
  </track>
  <track>
    <disc>1</disc>
    <position>29</position>
    <title>Mark And Royce Fight</title>
    <duration>01:59</duration>
  </track>
  <track>
    <disc>1</disc>
    <position>30</position>
    <title>Turn Around</title>
    <duration>00:32</duration>
  </track>
  <track>
    <disc>1</disc>
    <position>31</position>
    <title>We Lost Him</title>
    <duration>01:43</duration>
  </track>
  <track>
    <disc>1</disc>
    <position>32</position>
    <title>The Wrapper</title>
    <duration>00:40</duration>
  </track>
  <track>
    <disc>1</disc>
    <position>33</position>
    <title>The Great Sam</title>
    <duration>01:03</duration>
  </track>
  <track>
    <disc>1</disc>
    <position>34</position>
    <title>Ship Fight</title>
    <duration>01:18</duration>
  </track>
  <track>
    <disc>1</disc>
    <position>35</position>
    <title>Mark’s Wounded</title>
    <duration>00:38</duration>
  </track>
  <track>
    <disc>1</disc>
    <position>36</position>
    <title>The Glock</title>
    <duration>00:22</duration>
  </track>
  <track>
    <disc>1</disc>
    <position>37</position>
    <title>Trying To Escape</title>
    <duration>01:19</duration>
  </track>
  <track>
    <disc>1</disc>
    <position>39</position>
    <title>End Credits</title>
    <duration>07:19</duration>
  </track>
  <artistdesc>Jerrald King Goldsmith (February 10, 1929 – July 21, 2004) was an American composer, conductor and orchestrator with a career in film and television scoring that spanned nearly 50 years and over 200 productions, between 1954 and 2003. He was considered one of film music's most innovative and influential composers. He was nominated for eighteen Academy Awards (winning in 1977 for The Omen), six Grammy Awards, five Primetime Emmy Awards, nine Golden Globe Awards, and four British Academy Film Awards.
He composed scores for five films in the Star Trek franchise and three in the Rambo franchise, as well as for films including Logan's Run, Planet of the Apes, Tora! Tora! Tora!, Patton, Papillon, Chinatown, The Omen, Alien, Poltergeist, The Secret of NIMH, Medicine Man, Gremlins, Hoosiers, Total Recall, Basic Instinct, Air Force One, L.A. Confidential, Mulan, and The Mummy. He also composed the current fanfare for the Universal Pictures logo, which debuted in The Lost World: Jurassic Park.
He frequently collaborated with directors including Paul Verhoeven, Franklin J. Schaffner, Richard Fleischer, Fred Schepisi, Michael Crichton, Jack Smight, Gordon Douglas, J. Lee Thompson, Paul Wendkos, John Frankenheimer, and Joe Dante.

</artistdesc>
  <label>Varèse Sarabande CD Club</label>
</album>