﻿<?xml version="1.0" encoding="utf-8" standalone="yes"?>
<album>
  <review>At Least for Now is the first studio album by English musician, singer, and poet Benjamin Clementine. It was recorded after Clementine gained critical acclaim with his two previous EPs. Clementine returned to London in the new year to record his album, just as his career was starting to take off. He moved to Kensington High Street with a friend he'd met in Tuscany then went back to Edmonton for a period of time until At Least for Now was completed. The album won the 2015 Mercury Music Prize.
Reviewer Calum Bradbury-Marvell described the cover, saying, "Clementine stands in a shadowy profile with a Granny Smith cupped in his right hand, as if the Magritte's Son Of Man had finally plucked the offending fruit from his face, but promptly swiveled away from the limelight." An appropriate symbol for this debut LP, during which the mythos of the Edmonton-raised Métro busker, who went from sleeping rough to impressing Macca in a barefoot Later With Jools Holland performance, dissipates only to reveal something more inscrutable: a stranger in a trench coat.</review>
  <outline>At Least for Now is the first studio album by English musician, singer, and poet Benjamin Clementine. It was recorded after Clementine gained critical acclaim with his two previous EPs. Clementine returned to London in the new year to record his album, just as his career was starting to take off. He moved to Kensington High Street with a friend he'd met in Tuscany then went back to Edmonton for a period of time until At Least for Now was completed. The album won the 2015 Mercury Music Prize.
Reviewer Calum Bradbury-Marvell described the cover, saying, "Clementine stands in a shadowy profile with a Granny Smith cupped in his right hand, as if the Magritte's Son Of Man had finally plucked the offending fruit from his face, but promptly swiveled away from the limelight." An appropriate symbol for this debut LP, during which the mythos of the Edmonton-raised Métro busker, who went from sleeping rough to impressing Macca in a barefoot Later With Jools Holland performance, dissipates only to reveal something more inscrutable: a stranger in a trench coat.</outline>
  <lockdata>false</lockdata>
  <dateadded>2025-10-04 01:03:22</dateadded>
  <title>At Least for Now</title>
  <year>2015</year>
  <premiered>2015-01-01</premiered>
  <releasedate>2015-01-01</releasedate>
  <runtime>68</runtime>
  <genre>Jazz</genre>
  <genre>Pop</genre>
  <studio />
  <audiodbartistid>131820</audiodbartistid>
  <audiodbalbumid>2251089</audiodbalbumid>
  <musicbrainzalbumid>5b169f49-2495-4222-aa57-77cbc0ef3d56</musicbrainzalbumid>
  <musicbrainzalbumartistid>578e5d1c-be21-4158-b147-30aad67f207d</musicbrainzalbumartistid>
  <musicbrainzreleasegroupid>68e65535-f133-408d-93dd-205e9555eaa5</musicbrainzreleasegroupid>
  <art>
    <poster>/media/data/media2/Music/Benjamin Clementine/At Least for Now/folder.jpg</poster>
  </art>
  <artist>Benjamin Clementine</artist>
  <albumartist>Benjamin Clementine</albumartist>
  <track>
    <disc>1</disc>
    <position>1</position>
    <title>Winston Churchill’s Boy</title>
    <duration>05:35</duration>
  </track>
  <track>
    <disc>1</disc>
    <position>2</position>
    <title>Then I Heard a Bachelor’s Cry</title>
    <duration>05:05</duration>
  </track>
  <track>
    <disc>1</disc>
    <position>3</position>
    <title>London</title>
    <duration>03:58</duration>
  </track>
  <track>
    <disc>1</disc>
    <position>4</position>
    <title>Adios</title>
    <duration>04:13</duration>
  </track>
  <track>
    <disc>1</disc>
    <position>5</position>
    <title>St. Clementine on Tea and Croissants (extended version)</title>
    <duration>02:32</duration>
  </track>
  <track>
    <disc>1</disc>
    <position>6</position>
    <title>Nemesis</title>
    <duration>04:59</duration>
  </track>
  <track>
    <disc>1</disc>
    <position>7</position>
    <title>The People and I</title>
    <duration>05:13</duration>
  </track>
  <track>
    <disc>1</disc>
    <position>8</position>
    <title>Condolence</title>
    <duration>06:28</duration>
  </track>
  <track>
    <disc>1</disc>
    <position>9</position>
    <title>Cornerstone</title>
    <duration>04:30</duration>
  </track>
  <track>
    <disc>1</disc>
    <position>10</position>
    <title>Quiver a Little</title>
    <duration>04:37</duration>
  </track>
  <track>
    <disc>1</disc>
    <position>11</position>
    <title>Gone</title>
    <duration>04:31</duration>
  </track>
  <track>
    <disc>1</disc>
    <position>12</position>
    <title>The Movies Never Lie (demo version)</title>
    <duration>03:57</duration>
  </track>
  <track>
    <disc>1</disc>
    <position>13</position>
    <title>Pound Sterling</title>
    <duration>04:33</duration>
  </track>
  <track>
    <disc>1</disc>
    <position>14</position>
    <title>Riverman (live BBC Radio 2)</title>
    <duration>03:38</duration>
  </track>
  <track>
    <disc>1</disc>
    <position>15</position>
    <title>London (live France Inter)</title>
    <duration>04:08</duration>
  </track>
  <artistdesc>Benjamin Sainte-Clémentine (; born 7 December 1988) is a British poet, vocalist, composer, musician and actor. Clementine's debut album At Least for Now won the 2015 Mercury Prize. In February 2019 he was named a knight of the Order of Arts and Letters by the French government, in recognition of his contribution to the arts.Born and raised in London, England, Clementine later moved to Paris, France, becoming homeless as a teenager. There, his performances helped him to become a cult figure in the music and art scene. Moving back to London, he made his TV debut on the BBC programme Later With Jools Holland in 2013. A number of critics described him as becoming one of the great singer-songwriters of his generation and the future sound of London, whilst struggling to place his music in any one genre.Considered by The New York Times as one of the 28 geniuses who defined culture in 2016, Clementine's compositions are musically incisive and attuned to the issues of life but also poetic, mixing revolt with love and melancholy, sophisticated lyricism with slang and shouts, and rhyming verse with prose monologues. He moved to popular art music, breaking free from traditional song structure, inventing his own dramatic and innovative musical territory. He is noticeably seen topless and barefoot onstage, dressed entirely in black or dark grey, with a long, wool trench coat.</artistdesc>
  <label>Behind</label>
</album>